About A.

Honing her writing chops.

Mass Effect 3 and the Trouble with Branching Narrative

Obviously, spoilers abound.  This was written with the assumption that anyone reading this has played through the entire Mass Effect series.  Ready?  You sure?  Then let’s get to it.

This is my Shepard.

She is dark skinned and has a shaved head.   She was born in an overcrowded city on Earth.  Some time after joining the military, she found herself the sole survivor of a mission on Akuze.  The rest of her team was eaten by thresher maws.

In the first Mass Effect game, she didn’t shoot Wrex on Vmire.  She saved the Rachni queen, and later sacrificed the Destiny Ascension during a space battle with a entity called Sovereign.  She saved the galaxy.

In the second game, she recruited a squad and went on a suicide mission to a collector base.  Despite the odds, everybody lived.  She saved the galaxy.

In the third game, Shepard cured the krogan genophage.  She brokered peace between the quarians and the geth.  She killed a reaper with a space laser.  Not everybody lived, but most of them did.  She is trying to save the galaxy.

My Shepard is not your Shepard. Continue reading

More Books, Less Problems

I’ve been acquiring a lot of books recently. This is unusual for me, and I blame the temporary homelessness. Books are my portable home. I curl up in them much like a hermit crab wriggles into a shell. When I move into my new place next week, hopefully I’ll go back to being an unapologetic library rat.

About a month ago, I picked up William Wallace Cook’s insane/awesome Plotto: The Master Book of All Plots and Cheryl Strayed’s Wild. I traded Wild for a copy of Strayed’s Tiny Beautiful Things, which a friend got signed for me at the book’s launch party in San Francisco.

I just returned from a trip to Portland. I arrived back to East Coast with six more books than when I had left.

After spending a late night in Powell’s, I emerged with used copies of the following:

  • Everything Ravaged, Everything Burned – Wells Tower
  • Rendezvous with Rama – Arthur C. Clarke
  • The Boy Detective Fails – Joe Meno

My friend then lent me three more books:

  • Accelerando – Charles Stross
  • Hyperion – Dan Simmons
  • Ringworld – Larry Niven

So if you ask me what I’m reading at any time during the next few months, the answer will almost certainly be science fiction or contemporary fiction. But isn’t it always?

I do feel like I should balance out this list with some ladies, though. Jo Walton’s Among Others has been calling my name, as has Edith Pearlman’s short story collection Binocular Vision. I’ve also never read a whole Kelly Link book, which seems like a terrible gap in my reading history. Any other suggestions?

The Final Countdown

Two more author interviews! One is with Marisa Matarazzo, and the other is with Rachel Swirsky.

Also, wow, the Unstuck Kickstarter campaign has five days left on the clock, and we are only 500 dollars away from meeting our stretch goal. That’s pretty incredible. We are so close to an Unstuck fiction podcast. If you’ve been waffling over whether or not to donate, or if you’ve been thinking about upping your initial contribution, now’s the time to act.

Mars and Mars

You may have heard that the Curiosity has landed on Mars. It is doing science and taking beautiful pictures for us. Pour one out for our intrepid rover, won’t you?

In a strangely topical turn of events, a piece of microfiction I’ve been sending out called “Mars” has just been selected for publication by NANO Fiction. This will be my first print publication. I’m looking forward to seeing bits of paper with my words on them.

“Mars”, as you might expect, is about Mars. It is also about other things. I’ll post a proper process post about it when it shows up in NANO. It is short, and easily spoiled if I talk too much about it.

I’ve spent much of the past year fretting about my textual voice. I often feel like my writing occupies an odd badlands. Too wordy for the genre publications, too weird for the lit journals. (Which may be why I like working for Unstuck  so much.) I’ve been pushing myself back and forth across the lines recently, trying to write literary realism and science fictional adventure yarns. Ultimately, though, the stories that get picked up are the ones that come straight from those liminal badlands. I write quiet fictions about unquiet things. I don’t think I’ll be stopping anytime soon.

Three More Author Interviews

I recently returned from two weeks abroad, which means I have a backlog of interviews to share with you.

The first is with Julia Whicker, and you can find it here. We talked about the space program, science magic, severed heads, and Aleister Crowley.

The second is with literary power couple John Maradik and Rachel P. Glaser. This one is especially interesting from a process perspective, as we spent a lot of time discussing how two people go about writing a story together. (Hint: it helps to be in love.)

The third is with Helen Phillips. We talked about wigs, sisterhood, and giant garter snakes. You can read this interview over here.

Have I mentioned the Unstuck Kickstarter campaign lately? I am contractually obligated to mention the Unstuck Kickstarter campaign every three words or so. It’s going swimmingly, thanks to people like you. We have a little less than a week left on the clock, and we are tantalizingly close to our stretch goal of $10,000. What happens if we meet our stretch goal? An Unstuck fiction podcast, that’s what. Let’s make it happen.

An Interview with Lindsay Hunter

Yes, another one. Yes, already.

Here’s another one of the interviews I did for issue #1 of Unstuck. In this one, I talk with Lindsay Hunter about literary Voltrons, the feelings of inanimate objects, and what cat food probably tastes like.

Our Kickstarter campaign continues to thrill. Not only have we already reached our initial funding goal, but we’ve surpassed it by over a thousand dollars. And we still have 25 days left to go. Internet, you are the best! Depending on how far the campaign goes, we have a very neat new planned for the journal. I can’t say much about it until it’s officially announced, but if you’d like to stay on the bleeding edge of news about the journal, our campaign, and our future plans, you can follow us on Twitter.

An Interview with Joe Meno

 A few months ago, I sat down and talked with Joe Meno about his new novel Office Girl, the independent publishing process, and buses vs. bicycles. Now the shiny, edited, formatted  version of this conversation is up on the Unstuck website. If you like, you can go read it here.

In other news, our Kickstarter campaign is going swimmingly. It’s been less than a week since it went live, and we’re already tantalizingly close to our initial goal. We’ve got 26 days to go, though, so if you’re itching for a Kolchaka-illustrated  thank you robot, a preordered copy of our second issue, or a lifetime subscription to the journal, now’s the time to go get them.

The Unstuck Kickstarter Campaign Is Live!

The Unstuck Kickstarter campaign went live today. Unstuck is a small, nonprofit publication, so every dollar helps. Check out the campaign, watch the short video about the journal, point and laugh at my ten seconds of screen time, and consider throwing a few dollars our way. Spread the word, too. Our initial ask is a modest one, and every dollar helps.

In celebration of our Kickstarter campaign, each weekday from July 30th to August 24th we’ll be posting excerpts from the first issue and interviews with the authors. The first interview, conducted by talented assistant editor Janalyn Guo, is with the fantastic Arthur Bradford. Go check it out!

1Q84 and the End of the World

I started reading 1Q84 late last evening. I’d been putting it off. After Dark, Murakami’s last novel, was a slender thing that seemed to end too soon. I wanted to read 1Q84 slowly, carefully. I wanted to make it last.

I read the first two chapters last night before bed. Halfway through the second chapter, my fingers were eagerly drumming on the edges of the pages. As soon as I finished, I grabbed a notepad and ballpoint pen and began to write. I didn’t have the patience to go upstairs to get my laptop and wait for it to power up. I needed to immediately scrawl words across a page.

I first encountered Haruki Murakami when I was about 16 or 17. It was in the fiction section at the main branch of the Charleston Public Library. The main branch of that library system was a very good one, and I spent a lot of time there during the five years I lived in South Carolina, and afterwards when I would come down from Connecticut to visit my mother. My memories of that library are very vivid. I remember how it smelled: book glue, new shelving, highly conditioned air.

This was before Goodreads and literary social networking. I read novels voraciously, but with very little guidance. I enjoyed my English classes in school, but those classes usually didn’t put post-modern fiction, or foreign novels, or science fiction on the syllabus. I was on my own. I would discover an author I liked, and then methodically work my way through every single book by that author at my library’s particular branch. I read Philip K. Dick that way, and Kurt Vonnegut, and William Gibson. I had no one to talk to about those books. My friends liked books, but not always the same books that I did. I read in a vacuum. I don’t remember how Murakami’s name was first given to me. I think I read a sentence somewhere that compared him to Philip K. Dick. That was enough.

I went to the “M” section of the library. After reading through the jackets of the various Murakami novels, I picked out Hard-Boiled Wonderland and the End of the World. I read through the book in under a week. Afterwards, I was completely blasted. I felt like something had written something especially for me, directly to me.

Soon afterwards, I began writing fiction for the first time after years of writing poetry. My entire brain switched gears.

I then proceeded read every Murakami novel ever written. Later, in college, a writing professor introduced me to Murakami’s short fiction. I read all of those collections, too. I’m caught up now, so I have to wait years between new novels. Sometimes I go back and re-read. Every time I encounter Murakami, though, it always triggers a flurry of productivity in regards to my own projects.

Nowadays I have plenty of friends who are happy to talk about Murakami with me, but sometimes I still think about my teenage self wedged into a gap between the stacks at the CPL, reading her first Murakami novel, and feeling like she and he were the only two people left in the world.